Believe Me, If All Those Endearing Young Charms SAB

A lovely traditional Irish song, the story goes that Thomas Moore wrote these words for his distraught wife who had shut herself in her room after her beautiful complexion was ruined by smallpox. I wrote this arrangement for my dear Irish Singers of Ottawa whom I directed for three years in the late 90’s. I’ve been wanting to do an SATB version, so whoever requests it first gets it for half price!

The Dalesman's Litany SATB

I first heard this poignant song in a 1993 folk recording by Tim Hart and Maddy Prior. I later learned that it was composed by Dr. Frederick Mooreman, a Yorkshire cultural enthusiast in the early 1900’s and Dave Keddie, who wrote a tune for it around 1960 (the tune here has been altered somewhat). Originally written for my Irish Singers as an SAB arrangement, I have expanded it to the standard SATB, although the tenor part could stand alone as a Baritone part if needed.

The Dying Californian SAA

This beautiful folk song was first published in 1854 in the New England Diadem.  I altered the melody somewhat and arranged it for my wife’s trio. Their wonderful recording is presented here.

The Famine Song SATB

The Famine Song is an Irish folk song from the 1850’s commemorating the Great Potato Famine in which an estimted one million people died and the same number left Ireland.

St. Patrick Was A Gentleman SATB

Arranged for my Irish Singers of Ottawa, this lively tune with comical lyrics is an audience favourite! (This piece can be performed as SAB by leaving out the bass part at the end – this was actually the original version).

The Star of Belle Isle SATB

One of the first folk-song arrangements I wrote, this setting of the famous Newfoundland song was created during my last year at the University of Ottawa and later performed by the UBC Chamber Choir (in which I sang bass). This performance was recorded live at UBC in 1987.

The Wee Weaver SATB

This ethereal Irish folk song features an ever fluid meter. For simplicity’s sake I have not included the time signatures, but bars of 3/4 (and sometimes 4/4 and 5/4) often alternate with bars of 7/8 (which is really a lop-sided 3). This gives the song a floating, dreamy quality, and should sound very relaxed.  I have included a slightly simpler version where the second and third verses repeat the same music.

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